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I wanted to, I swear, talk about a good book that I particularly big boy japan liked. big boy japan But the debate that has developed on horror and information on the net is taking a turn very interesting: if they speak out Malpertuis and Andrea G.Colombo. I would add just one little thing: the holder of Skeletons rightly claims in the comments to the amateur Malpertuis of its website, however, run with passion by one person, while our reviews are by users. Of course, this is a very different case than the three-zine battleship that I mentioned big boy japan earlier: however, my provocation intended big boy japan to beat on this button. That is, the importance of taking responsibility OWN by amateurs. Anyone who writes on a blog he writes for free, but if you do reward to the professionalism, the network big risk. At least in my opinion, it is always important to be fully aware of what and how you write. Even when it comes to horror big boy japan and fantasy. I would say, even above all. Since yesterday I saw the ghost of Monnezzone reappear. The Monnezzone has a long history. He appeared in 2006, when Silvia Ballestra, interviewed by Simonetta Flowers big boy japan for the release of his novel, he spoke in these terms:
The "monnezzone" is the thriller standardized, widespread big boy japan on a global level. Books plasticized gender Sonzogno but also gives us Mondadori below. A typical example is Jeffrey Deaver, the 'inventor of paraplegic criminalist involved in the brutal stories. Titles like: The skeleton dancing or The Collector 's bones ... Or even the yellow Carlo Lucarelli big boy japan and Massimo Picozzi. is a genre that pulls a lot. And I confess that, when I'm sick, I devoured it.
Unfortunately for the possible good faith of those who peddles in spades its gothic spaghetti, to contain big boy japan within itself a reagent cognitive social value also remains quite the boring literature 'true'. That is, running through the difference, big boy japan and not repeat. What if invents new forms, because it is not appeased soporific of those inherited (artistic forms, transcendental allegory of the existence of those associated). That certainly does not mean that, purely and simply, the 'communication' and for this reason has the courage to pay (even metaphorically) his failure to "tune with the demands of society." This is the literature that provides, among its purposes ideals, the liberation of the mind of the reader. And it is no coincidence that this is, today, a risk of being overwhelmed by the "future" of the publishing and media monnezzoni "Class of 1984". If this happens, the Inquisitor is safe, we will not fail, bag and baggage, on leave Sopramonte. I do not underestimate, big boy japan Eymerich, resistance: others have made the same mistake.